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BEST EXTERNAL SOUND CARD 2016 ABLETON PROFESSIONAL

This is where you take a step into the world of production on a more serious level. It was mainly because they didn’t have the bias of technical knowledge, and because the less you know, the more daring you are with trying new things.Ģ – DAW. I know some producers who started with really laughable setups, but managed to do mindboggling productions. If you don’t have money for a DAW yet, there are many kinds of freeware or demo copies you can explore in the meantime and even record with.

Things to focus on are a blazing fast hard drive (nowadays SSD is the best thing ever), a lot of RAM, and a fairly solid CPU. On top of that, you can use it for communications or personal use.

BEST EXTERNAL SOUND CARD 2016 ABLETON PROFESSIONAL

You can be self-sufficient with little programs that range from free to professional all-in-one solutions. To me, this is where you gain the most returns on your investment, both in the short term and even long term.

We start with the bare minimum and then as you get comfortable (and at ease with your budget), move to the next step.ġ – Computer. Here’s a good cycle to respect that I’ve found helps me not to get overwhelmed: But since technology evolves really fast, if you cover one quickly, it might be outdated in 6 months to 1 year. You can get little upgrades for one before moving on, or cover one completely and then move on. My suggestion for you is to have a cycle of acquisition for electronic music equipment. The option of finishing songs becomes a bit tricky. You might not be able to record what you do or edit it. You may expand if you want, but then you might run into some issues, such as being stuck with what you have. SEE ALSO : Equipment Needed to Make Music – Gear vs.

A tablet, such as an iPad, with audio apps and headphones.ĭon’t fall into the trap.

A good computer, with good headphones and a DAW.

There are basically two main scenarios, if you’re starting: So, where to start? The basics: laptop or tablet. Well, it’s great - but the process to get there is costly. With the huge interest for modular synths/equipment in recent years, people have been frantically buying new modules thinking, “That one will get me that sound.” People buy, then resell, then buy again, and eventually they have that giant rack of equipment that produces a few bleeps. Thinking that if you have the best studio, you’ll finish more songs is not only wrong, but also a good excuse not to sit and work. The illusion of ease is counter-productive When you have fully exploited your samples by playing with them, modifying them and so on, then adding new sounds will be a giant new addition to your toolkit. If you have fewer options, you’ll eventually run out of ideas and you’ll have to get creative to get elsewhere. In other words, the more options you have, the more you get lost in choosing your options. Then you will wonder where to start to troubleshoot an issue. If you add something new, you’re then stuck with 2 things you don’t really know of and you multiply the chances of getting lost. For instance, if you start with a DAW, which is pretty much the centre of everything, your first task is to get to know it by learning the terms and technicalities, and by understanding how it works - its logic.Īs soon as you feel you need to add more things to get somewhere, you’re falling for distractions and getting sidetracked from your main objective.

The best way to start is to get the minimum needed to get rolling and then slowly add to it. While it’s easy to see how much fun there can be with more toys to play with, this comes with a bunch of problems. That’s pretty much a myth and I’ll explain why.Įlectronic music equipment: facts vs myths People tend to think that if they have the perfect studio set-up, music will pour out and things will get easier. But this email had a never-ending list of gear, monitors, laptops, sound cards, VSTs, mixers and so on. Usually, people want to know if they need a specific sound card or which DAW is the most appropriate. I recently received an email from someone who wanted my advice on what he needed to start making music. Are you here because you’ve been planning to make electronic music? I will try to cover the main questions I get on a regular basis about electronic music equipment for home studios.